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July
7, 2005
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NAPM
convention held in Milwaukee |
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No
right, wrong in liturgical music's style, says
Fr. Joncas |
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MILWAUKEE — It can cause
noses to wrinkle in disgust or it can create an
environment more conducive to worship. Some pieces
remind happy couples of their wedding day, others
bring tears to one’s eye at the recollection
of a funeral Mass. It is a vital, necessary, and
integral part of the Mass. It is the music.
While music can enhance or detract from a prayerful
experience for one person, musicians are finding
it impossible to make everyone happy, for a full-fledged
style war is occurring in the Catholic Church.
“I believe any style of music may potentially
bear the weight of mystery unless proven wrong
in practice,” said Fr. J. Michael Joncas
in a plenum address on style differences to those
attending the National Pastoral Musicians Conference
June 29.
Fr. Joncas stressed to the crowd that despite
people’s different opinions on style —
whether they prefer the more traditional hymns
or contemporary songs — there is no right
or wrong answer to which style is better. Rather,
it is more about the words than how a musician
is to sing it.
“We spend most of our
time worrying about the tones we produce, not
grappling with the texts we sing,” said
Fr. Joncas, an associate professor at the University
of St. Thomas in St. Paul, Minn. “People
will ask questions about the texts we sing, not
about the notes we sing. You have got to look
at the words. Was I captivated by the music or
by what the music was singing about?”
Fr. Joncas, a priest of the Archdiocese of St.
Paul-Minneapolis, noted that these differences
in opinion are not a new thing, but rather have
been around for hundreds of years, back to the
time of Thomas Aquinas. Nor was it about whether
or not to chant a song or to use a contemporary
setting, but whether music in itself should be
used or not.
“The praise of the voice
is necessary to arouse devotion towards God,”
said Fr. Joncas, quoting Aquinas.
While the church has appeared to have come to
an agreement that music is a necessary and integral
part of the Mass, the style disagreement has continued
and will continue. But Fr. Joncas pointed out
some main ideas that all styles should
follow.
“The basis for liking or disliking
a particular style of music depends on so much,”
he said.
This liking or disliking can vary from person
to person, through their own musical tastes and
past experiences with music in the Mass. A parish
must find out through experience what its parishioners
prefer.
“Through experience, we will
find out which form actually leads our parish
into common prayer,” said Fr. Joncas.
Music can either detract or lead people into a
deeper form of prayer in the Mass, therefore the
choice of musical style for any particular parish
is very important, he noted.
These differences in musical style, he said, are
very apparent in churches across the United States.
While some parishes prefer to sit and quietly
sing along with the hymns, others find themselves
moving their entire body and clapping along to
the beat, praising with their whole body and mind.
In a parish that is used to clapping and loudly
singing, it would not be appropriate to sing a
more reserved selection of music.
Fr. Joncas said that there will always be a disagreement
about style.
Rather than fight about whether traditional or
contemporary pieces are more appropriate, music
directors and parishes across the country should
be more concerned about the text, and about the
prayer. |
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